MISO








CONTACT
Email:- 648487@proton.me




{ABOUT}



I’m an experimental multidisciplinary artist exploring how we sense ourselves and each other in the world. 
My work investigates the hidden threads between internal experience and collective life — the ways attention, presence, and perception shape not only how we feel, but how we act, respond, and take responsibility. 
I create immersive spaces that ask us to notice the rhythms, tensions, and alignments of our bodies and the world around us — and to confront our complicity in the systems we inhabit.

At the centre of my practice is SIGNAL, a long-term research architecture and experimental laboratory where bodies and environments meet. 
SIGNAL treats the body as a signalling system and the environment as a field of signals, exploring what happens when these signals converge — sometimes in harmony, sometimes in tension. 
It’s a method for understanding how perception, attention, and state emerge through interaction, and for testing how immersive experience can expand awareness of ourselves and our collective responsibility.

Other projects, installations, and interventions feed into and deepen the SIGNAL ecosystem. They act as experimental laboratories, translating research into lived experience and testing how people inhabit, sense, and respond to complex environments. 
These are not separate from SIGNAL; they are its instruments, probes, and reflections, helping the research ecosystem grow, adapt, and respond to real human experience.


Across all of this, my aim is simple: to reconnect people with themselves, with each other, and with the world they inhabit. 
I use science, systems thinking, and sensory design as tools — making perception tangible, subtle, and shared. 
The work seeks to provoke curiosity, attunement, and reflection, inviting participants to step into their own signals, notice the signals around them, and engage with the space in ways that are both perceptual and ethical.



For those curious about the deeper architecture — the sensory pathways, the ecological logic, and the research thinking behind the work — the SIGNAL framework is available to explore.








MISO

CONTACT

Email:- 648487@proton.me

{ABOUT}

I’m an experimental multidisciplinary artist working across movement, computation, and health science. My foundation is the body—years spent in ballet and contemporary dance—later reshaped through clinical training in medicine. I return to art with that dual perspective, exploring how perception, embodiment, and environment shape one another.

My work blurs the line between art and research. I create immersive installations and sensory interventions that draw from neuroscience, somatic practice, and speculative phenomenology. The intention is direct: to unsettle. To build visceral encounters that make people question their empathy, attention, and complicity by revealing how sensation and structure quietly influence behaviour.

At the centre of my practice is SIGNAL, a longform research architecture built around five primary sensory modalities—
FORM (geometry), SONIC (sound), LUX (light), GRAIN (texture), and FLOW (movement/kinetics).
These modalities sit within a single environmental principle: VITA, a biophilic logic. VITA isn’t a sixth sense; it’s the ecological backbone that shapes how the five modalities interact through organic pattern, material complexity, and life-like behaviour.

SIGNAL is a living system. Each modality acts as its own study—an experiment in how environments can shift perception, regulate nervous-system state, or disrupt habitual attention. Together, they form a method for generating knowledge through embodied experience.

I’m currently developing GODOT, my first full-scale public installation. GODOT uses spatialised sound, stillness, and temporal friction to pull visitors into an intimate encounter with waiting, presence, and mortality. It invites a type of attention that feels rare: slow, shared, and uncomfortable in the best way.

I’m open to collaboration and creative dialogue as I continue building the SIGNAL ecosystem and expanding this work into public space.